Opera The Met

Operabio - Luisa Miller (2017/2018)

Plakat for filmen Operabio - Luisa Miller (2017/2018)

Søndag d. 13.05.2018

Act I
Tyrol, early 1700s. Luisa, daughter of an old soldier, is in love with a young man she knows as Carlo but who is actually Rodolfo, son of the local lord, Walter. The two lovers proclaim undying fidelity, but Miller, Luisa's father, is dubious, and his fears are confirmed when Walter's retainer, Wurm, who also loves Luisa and hopes to marry her, reveals Rodolfo's true identity.In Walter's castle, Wurm tells his master of Rodolfo's love for Luisa. Walter resolves to end their relationship, because he hopes to have his son marry a widowed duchess, Federica. Left alone with her, Rodolfo reveals that he loves another, but the duchess, who has worshiped him since childhood, refuses to break their engagement.At home, Miller tells Luisa that Rodolfo has deceived her and is about to contract a wealthy marriage. The young man, however, comes to plead his sincerity. When Walter storms in shortly afterward and is about to have both Luisa and her father consigned to prison, Rodolfo secures their freedom by threatening to reveal how his father, with Wurm's assistance, murdered his cousin to gain his present position.

Act II
Luisa learns that her father has been jailed for insulting Walter. Wurm tells her the only way she can save Miller is to write a letter admitting she sought Rodolfo for his wealth, and pledging herself to Wurm. After doing his bidding, she learns she must go to the castle and declare her love for him before the duchess.Wurm presents Luisa's letter to Walter, and the two plot to send it to Rodolfo. Wurm then brings in Luisa. Goaded on with threats by Wurm and Walter against her father, she professes her love for Wurm to Federica.Rodolfo receives Luisa's letter in the castle courtyard. In despair he is about to attack Wurm when Walter appears and persuades him that marrying Federica will be the best way for him to avenge Luisa's treachery.

Act III
Miller, released from prison, tries to comfort Luisa. The two agree to leave the village the next day. As Luisa prays, Rodolfo enters and pours a vial of poison into a decanter on the table. He confronts Luisa with the letter. When she cannot deny she wrote it, Rodolfo asks her to pour him a drink; when he says it tastes bitter, she swallows some too. Rodolfo tells Luisa the cup was poisoned, and she, released from her vow, tells him the truth. As Luisa expires in Miller's arms, Rodolfo, with a final effort, kills Wurm.

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Operabio - Askepot (2017/2018)

Plakat for filmen Operabio - Askepot (2017/2018)

Søndag d. 03.06.2018

1. Akt
Chez Madame de la Haltière

A large room in the house of Madame de la Haltière with a chimney grate. Servants are busy preparing for the ball. Pandolfe, the second husband of Madame de la Haltière, wonders why he forsook the calm of his country home to marry a selfish countess with her two daughters, and pities the lot of his own loving daughter Lucette (Cendrillon). Madame de la Haltière and her daughters Noémie and Dorothée dress while the mother tells them how to attract the prince's attention at the ball. Late in leaving, Pandolfe resigns himself to accompanying them. Cendrillon enters, singing of how she wishes she could also have gone to the ball. After completing her chores she falls asleep by the warm chimney hearth. The Fairy Godmother and her attendants come in, transform Cendrillon into magnificent clothes for the ball, but warn the girl that their spell will only last until midnight, and that the glass slippers will protect her from being recognized by her family. Cinderella promises to return at midnight, and sets off for the ball.

2. Akt
The royal palace

At the royal hall, all is excitement, except for the prince who is melancholy. The king reminds him that he must choose a wife. After five ballet entrées where the eligible princesses present themselves to the prince, a heavenly unknown beauty (Cendrillon) enters and enchants everyone - except for Madame de la Haltière and the two step-sisters. The prince and Cendrillon fall in love at first sight but when the clock strikes midnight Cendrillon runs off, as the stunned prince looks on.

3. Akt
First tableau: The return from the ball

Cendrillon returns to the house, having lost one of her glass slippers in her flight, and relives the charm of the ball. Her fine gown has changed back into a plain dress. She hears the returning family carriage and hides in her room. Madame de la Haltière and her daughters insist that the prince rejected the unknown beauty. Cendrillon is on the point of fainting, when her father angrily sends the other women from the room. Tenderly he promises Cendrillon that they will return to his country home. When he has left, she recalls her mother’s death, and to prevent her father any more pain, Cendrillon flees into the night, to die on her own.

Second Tableau: The Fairies' Oak

Under a magic oak tree in an enchanted forest, the prince and Cendrillon are drawn together by the fairies. An enchanted arbour of flowers blocks their view of each other but they recognize each other's voice and sing of their love. The prince offers his heart to see his beloved. The flowers disappear and the lovers, surrounded by the spirits, fall into a slumber in each other’s arms.

4. Akt.
First Tableau: The terrace chez Cendrillon

Back in Cendrillon's home, Pandolfe watches over his sleeping daughter, who was found months previously by a stream. Cendrillon awakes and her father relates how in her delirium she spoke to him about the prince, the oak and the slipper. Pandolfe convinces her that it was all a dream. Madame de la Haltière and her daughters appear with the news about an assembly of all eligible princesses at the King's palace. As a royal herald summons the princesses to go and try on the glass slipper, Cendrillon realizes that her dream was true. During the march of the princesses, the scene changes.

Second Tableau: A great hall in the palace

Back at the ballroom in the palace the prince recognizes Cendrillon among the princesses. The lovers are reunited and acclaimed by all present, even Madame de la Haltière. All turn to the audience and, out of character, sing that the piece is over and they have done their best to send the audience through "les beaux pays bleus (the beautiful blue countries)".



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